Ancillary Justice

What a great book.

Heard there was going to be a TV series but it fell apart.

What they should do is an opera. I can't really imagine another way to express the first person anti-singular voice that the whole book uses.

Plus One Esk loves to sing

It's comfort reread season over here. This book has enough reviews and awards it doesn't need another general review from me on the pile, so mostly I'm wondering about what makes this book a comfort reread for me (and many others)?

Partially it's that thematically it hits really strong notes. It's a story about justice, and revenge against an empire. It's about not trusting empires, no matter who is running them at the time. But it's also about second chances, leaning on friends, finding new ways of being, and the value of small actions even when you can't solve everything.

And even if the tyrant’s protestations were insincere, which they ultimately had to be, no matter her intentions at this moment, still she was right. My actions would make some sort of difference, even if small.

The first time I read this book about revenge on an empire at war with itself, my expectations were that the next book would be some sort of escalation, but instead it went much smaller. In retrospect, I'm not sure the worldbuilding and the stakes could have been escalated without it becoming a heroic arc for Breq (or somebody else) defeating an empire and saving the universe. It just isn't that kind of story.

Instead, this book feels much more about the value of small and local actions. The mutiny at Ime is a news story in the background, but it carries so much thematic (and worldbuilding) weight and feels like part of a through line for the trilogy. In a world where I continually despair of my lack of leverage to make the world better, this message about doing what I can where I can is one I continually need to hear.

Twenty years of habit overtook me, and for an instant I despaired of choosing the right pronouns, the right terms of address. But I didn’t need to do that here. I could drop that worry, a small but annoying weight I had carried all this time. I was home.

I am always a sucker for a story with some gender in it, so I know this is part of why I come back to this book. I love the humor about Breq not understanding other culture's gender and getting it wrong. The quote above resonates for me in the trans sense of being in a space where you can drop the mental worry about people misgendering you; it's a reversed feeling of observer vs observee from the quote, but the mental relief at removing the mental gender work feels tangibly similar.

The first time I read this book, I could tell that my brain had to defend itself against bringing in extra gendered baggage for the she pronoun. I don't know if it's because this is a reread or if I've been tested by the much more gender adversarial Too Like the Lightning, but this time around my internal observation was that I didn't feel like I parsed "she" any differently than "they".

writing a protagonist who is several different people wrapped into one consciousness, and is for some part of the story, not necessarily reliable as a storyteller, feels like it would've been a challenge, but ann leckie made it seem natural

the worldbuilding is, typically for good sci fi, brilliant. i felt absorbed into it. the constant surveillance within the radch is disturbing and feels connected to the real-life present. the colour and the characters are lovely.

i also noted that this is ann leckie's first full length novel and i'm super impressed.

i'm eager to read the next 2 in the series, though i'm going to read something else in between so i don't get series burnout!

There's so many good bits and little shiny details in this epic redemption journey. In the past, a simple occupation mission by an atrocious all-conquering invasion force goes awry with a mysterious conspiracy coming to a head. The protagonist is an AI ship consciousness multiply embodied in enslaved human soldiers. A crisis builds under the watchful eye of an empress that rules from within thousands of bodies.

In the present, the aftermath of the crisis is our protagonist singly embodied, troubled by the atrocities it committed and dedicated to a hopeless mission of vengeance.

There is a lot of dealing with a... not an untrustworthy narrator but an extremely neurodivergent naive narrator. Lots of fun gender issues and language issues that present as interesting puzzles for the reader.

J’ai eu du mal à me mettre dedans, les règles grammaticales sur le genre étant non seulement confusante mais désagréable (j’ai eu l’occasion de lire un livre où tout était genré au féminin « elle pleut », « la bébé », mais ce n’est pas pareil).
Après quelques chapitres (et ayant appris que la version originale était aussi « perturbante » et que ce n’était pas une aberration de traduction), j’ai enfin profité du livre.
Une histoire complexe et très bien ficelée, originale, que j’ai trouvé très rafraîchissante.

There's a lot of death and destruction happening throughout the book and the Radch is quite an evil Empire. Nevertheless, the two main characters grew on me quickly. Great world-building but done in a restrained manner. The story itself is quite the wild ride. It also stands on its own, despite being the first book in a trilogy.

J'ai pris du temps à commencer à le lire après qu'il m'ait été recommandé mais je l'ai fini rapidement. Le livre est très prenant, le worldbuilding est excellent avec une civilisation construite en détail et complexe. Le traitement grammatical du genre est intéressant dans la traduction française même si du coup j'ai tendance à considérer tout les personnages comme féminins. La question de l'identité et de sa continuité, ainsi que de la viabilité d'une civilisation expansionniste et colonialiste sont posées de manière intéressante.

Leckie's novel explores so many different worlds and how the worlds see each other that it provides interesting insights into what makes something alien. The transhumanist space ship AI as a first-person character also asks questions about what it means to be alive. One of the central themes of a society with a genderless pronoun also forces the reader to consider if gender matters in this future world, while also examining why certain characters are expected to have a specified gender.

What a slow burner this book is. By the time you realize how really really good it is, you're more than halfway done, so it definitely requires patience.

The first-person narrator is Breq, who felt a bit like a prototype for our beloved Murderbot from the Martha Wells series. Breq is an ancillary, a human body controlled by the AI of a ship, in this case the Justice of Toren. Only Breq's ship no longer exists, so instead of having hundreds of bodies and eyes and all that comes with being the body of a ship, there's just her, on her mission to kill the Lord of the Radch, the leader of the Empire of Radch.

Along the way she gets stuck with Seivarden, one of her former officers who's struggling with substance abuse after waking up a 1000 years after her ship was destroyed.

In order to understand this much of the plot, you have to be like 40% into this book because you get tossed right in, with lots of flashbacks to Breq's previous life. Nothing makes sense! And what's with the gender stuff, generic feminine gender in an English language book, what gives? And it takes a while to settle in how brilliant that is. The Radch have no concept of gender and so always use the feminine, and after a while you really stop asking yourself what gender the characters in the book really have. Does it really matter if Seivarden or Anaander Mianaai are male or female? It totally doesn't.

When things get rolling, you're totally glued to this book, or rather, I was. I want to learn more about the Radch, all the backstory, and I definitely want to see how Breq or rather One Esk, will go on when she's back on a ship, but one that's not herself.

Inutilmente complicato e onestamente non mi ha entusiasmato. Forse non l'ho capito io o forse sono troppo legato all'hard scifi classica.

In today's world, everyone should be thinking deeply about issues of identity. Gender identity, national identity, identifying with a group, etc. And anyone who thinks deeply about issues of identity needs to read this book.

The book is set in the far future, and it has all the kinds of technology you'd expect, but it's all downplayed and in the background. No science details are discussed. That seems to put it into the "Space Opera" category of science fiction.