Dune

¡Ah qué agradable es volver a leer con expectativas moderadas que terminan siendo ampliamente rebasadas! Iniciaré con una descripción muy sintetizada: Dune dice grandes verdades sobre la condición humana y las civilizaciones que resultan de ella, recurriendo a una ficción que se siente como exquisito relato histórico. Es un libro que atrapa, de esos que te obligan a buscar momentos, por pequeños que sean, para saber qué más ocurrirá en la trama. Frank Herbert despliega un estilo narrativo con altísima precisión para conseguir que las descripciones a detalle de ambientes, objetos, personas y personalidades, no interfieran con el flujo de la historia, sino que lo nutran y lo hagan disfrutable. Pocos libros me han hecho sentir tan adentrado en sus ambientes. Frank eligió muy bien las dos características esenciales de Arrakis: carencia extrema de agua y presencia en abundancia de un recurso menos útil para sobrevivir, pero que despierta mayor ambición. Esa combinación es uno de los ganchos que jalan al lector a las profundidades del planeta en el que ocurren los sucesos de esta narración. Pero lo que me pareció más asombroso de Dune, es la maestría con la que el escritor construye los lenguajes, los utensilios, las tradiciones, las costumbres y los ritos que proyectan la obra como un genuino libro de geografía política, haciendo que el lector se sienta como un historiador leyendo la "Brevísima relación de la destrucción de las Indias" de Bartolomé de las Casas (1552). He tenido la fortuna de leer "El Príncipe" de Maquiavelo, "El arte de la guerra" de Sun Tzu, una fracción mayoritaria del Antiguo y del Nuevo Testamento en la "Biblia Católica", muchísimas citas del "Corán", otras tantas del "Canon Pali", varias de las obras de Issac Asimov... Y no estoy seguro si esas lecturas me prepararon para disfrutar mejor Dune, o si es que Dune las supo sintetizar todas de una forma tan exquisita que me ha hecho revalorarlas. Sí, recomiendo leer Dune.

In the beginning, I thought this book would be too daunting, with its glossary of terms and appendix. Then, I slipped into the story and became immersed. It’s obvious why Dune is a classic. Yes, it’s a bit dated in the way women are perceived, but many classics contain outmoded attitudes.

This is a complex story with some fascinating characters. The transformation of Paul Atreides from intuitive, bright teenager to ruler and spiritual leader is riveting. There is more going on than I could describe in any reasonable length! I do feel compelled to read the next book, mostly because of the foreshadowing of this one--


[Paul’s mother] had quoted a Bene Gesserit proverb to him: "When religion and politics travel in the same cart, the riders believe nothing can stand in their way. Their movements become headlong - faster and faster and faster. They put aside all thought of obstacles and forget that a precipice does not show itself to the man in a blind rush until it's too late."


Paul is prescient and knows that there is to be a jihad, and does not want it, but at some point during this first story, knows he cannot control everything...we shall see.

I have not seen any of the movies, but have always meant to read this story, and now I finally have! And, I recommend it.

Već neko vrijeme sam razmišljala da se uhvatim u koštac sa nekom knjigom naučne fantastike, jer sam ih uvjek zaobilazila. Čitanje ove knjige je za mene predstavljalo lični izazov i jako mi je drago što sam istrajala i pročitala je do kraja.
Sa najavom za izlazak nove filmske adaptacije, ja kao i dosta ljudi se upoznajemo sa dijelom za koje se smatra jednim od pionira moderne naučne fantastike. Pri daljem interesovanju saznajem i za druge adaptacije, kao na primer za onu neslavnu Dejvida Lynch-a i Alehandra Hodorovskog i to me još više tjera da se upustim u ovaj svijet, te naknadno odgledam njihove interpretacije ove knjige.
Kao neko ko nije nikada prije čitao ovaj žanr, trebalo mi je dosta vremena da uđem u čitav svijet u koji autor naglo gura čitaoca. Univerzum je sastavljen od velikog broja koncepata i termina inspirisanim jezicima našeg srednjeg istoka, jer se veliki dio radnje odvija na planeti-pustinji. Takođe, čitanje uspori i stalno prebacivanje na kraj knjige gdje se nalazi mali riječnik pojmova, ali mogu da vidim kako to može nekome predstavljati i poseban gušt, jer je karakteristično za ovu vrstu literature (meni je to bio otežavajući faktor jer sam čitala u pdf-u).
Voljela bih da sam se potrudila doći do hardcopy verzije. Čitala sam e-book verziju na hrvatskom jeziku što mi je dodatno otežalo čitanje jer sam jednostavno više navikla na srpske prevode.
Svakako mi se knjiga sviđela, drago mi je da sam baš nju izabrala za probijanje "sci-fi leda", originalna je i jako je interesntno bilo ući u jedan novi svijet.

This was my second time reading this book, and you know, I think I liked it a little better this time. I was able to catch and appreciate some details early on that were important later, and I had a better understanding of what to expect, so some of the more confusing passages were easier to comprehend.

There's definitely some weirder stuff in this book, and I'm not sure I understood everything. Generally speaking, whenever Paul went into a trance and started seeing the future, I got a wee bit lost.

Probably my favorite thing about this book is the world that it's set in; very little context is given (until the delightfully detailed appendixes), but it's glaringly obvious that all of the casually mentioned events from the far past were well thought out and shaped how the world ended up.

I was also extremely impressed by the thinking through of the Guild monopoly; that was a detail that was so fascinating to think through the implications of, and it gave the story so much more realism and put constraints on some of the more obvious simple paths that could have otherwise been taken to solve problems.

So, in short, the worldbuilding is fantastic. At every point it feels so real; you can see that there are problems, that not everything went well in the past. Some authors I read (especially Asimov) have very cut-and-dried, simplified backstories that only exist to set up the story, but in Dune I really saw that a rigorously planned, realistic timeline existed, and it was fascinating to see the story flow around the figurative mountains that created rather than just changing the landscape.

Also, side note: Did you know that the Planitae (plains) and Labyrinthi (pretty much what it sounds like) on Titan (probably my favorite moon or planet in our Solar System) are named after planets from the Dune universe? I love the creativity that goes into Titan's nomenclature. (My favorite is that the mountains are named after Middle Earth mountains--Like Doom Mons! [i.e. Mount Doom])