Metro 2033

764 pages

German language

Published Nov. 2, 2008

ISBN:
978-3-453-53298-4
Copied ISBN!
Goodreads:
5558786

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Metro 2033 (Russian: Метро 2033) is a 2002 post-apocalyptic fiction novel by Russian author Dmitry Glukhovsky. It is set within the Moscow Metro, where the last survivors hide after a global nuclear holocaust. It has been followed by two sequels, Metro 2034 and Metro 2035, and spawned the Metro media franchise. The book's English edition was published as a tie-in with its video game adaptation in 2010.

13 editions

The game has more depth than the book

I don't know if this was an issue with the translation. But the book felt like it was trying to convey some interesting takes on post apocalyptic (and contemporary) society but fell flat i n doing so. Narratively it is Artiom through the rabbit hole where the story feels more like a series of weard and wacky encounters than a consistent story. Again this might be due to translation errors but my Russian is not good enough to compare. Not my favourite but I read worse.

Interesting World without a fitting story

I decided to read this as I was interested in the dark atmosphere and intriging world. And in that aspect the book definitely delivered. The muscovy Metro is split into different factions with internal conflicts determining the actions of their leaders thus shaping the whole Metro. Unfortunately there are regular crises demanding cooperation of conflicting factions ... what a set up!

The introduction to the mc was also grabbing my attention. However, to establish the factions the mc has to at least pass them by which leads to a drawn out story. In my opinion it sometimes feels like the author prioritised showing of this cool world instead of writing a tense story. And I thought some scenes were really weird but that might just be me. However there were moments which stayed in my head and I really appreciated. And towards the end the book feels a bit …

Review of 'Metro 2033' on 'Goodreads'

що сказати... «такоє». особливо дивне відчуття... дискомфорту викликає останній розділ: літературно найсильніший, можливо, але водночас найпафосніший і наче «пришитий» до зовсім іншого твору; як сідло на корові. гра за мотивами — краща за сам твір, нмсд.

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