In Probability Space, humanity's war with the alien Fallers continues, and it is a war …
Conclusion of the probability trilogy
4 stars
Don't make a kid a main character in a non-YA book. Kids are boring. Only 4 stars because the ending felt rushed and there were a couple of loop holes like "how did that happen?".
Teaching as therapy, with sooooo many feelings. Because the book is a series of previously-written contributions, it's repetitive. The whole ungrading movement has nothing new to offer.
Alberto Cairo started his journey of lead educator in data visualization with The Functional Art, about 10 years ago, followed by The Truthful Art, and now, The Art of Insight (frankly, I would have used The Insightful Art).
TIA is different than the previous two as it consists of a series of interviews with various practitioners that Cairo admires, grouped into broad categories such as pragmatists, eccentrics, ambassadors, and narrators. Each chapter is an interview with one such practitioner with some illustrations from their work, and retraces their journey through the field of dataviz.
It is not coincidental that none of them had linear trajectories, and most have a background not just in the usual fields (computer science, statistics) but also in philosophy humanities, journalism.
That is how this book distinguishes itself from the previous two: it is much more individual-based, much more philosophical and reflective, and, it seems, more …
Alberto Cairo started his journey of lead educator in data visualization with The Functional Art, about 10 years ago, followed by The Truthful Art, and now, The Art of Insight (frankly, I would have used The Insightful Art).
TIA is different than the previous two as it consists of a series of interviews with various practitioners that Cairo admires, grouped into broad categories such as pragmatists, eccentrics, ambassadors, and narrators. Each chapter is an interview with one such practitioner with some illustrations from their work, and retraces their journey through the field of dataviz.
It is not coincidental that none of them had linear trajectories, and most have a background not just in the usual fields (computer science, statistics) but also in philosophy humanities, journalism.
That is how this book distinguishes itself from the previous two: it is much more individual-based, much more philosophical and reflective, and, it seems, more deeply personal for Cairo.
So, it is far less a book for social scientists like me (I still use the Truthful Art in my intro to data science class), but more for my humanities colleagues with whom I'll be sharing it.
How much data does Facebook really have on me? What is a cookie on the …
Not much there there
2 stars
This reads a lot like a cheaper version of Jaron Lanier's book on why you should leave social media. The title is misleading. It's a rehash of argument against social media: they steal your data, they push people to extremism, etc. If you have read anything about social media in the past few years, there's nothing new here.
From a smattering of ominous right-wing compounds in the Pacific Northwest in the 1970s, to …
Be afraid, be very afraid
5 stars
This book is a continuation of the arduous and thankless work that David Neiwert has been doing for decades: tracking, documenting, and analyzing far-right movements in the United States, under their many iterations. This "longue duree" allows him to see the continuities and ruptures in these movements. However, the present volume makes clear that something has changed, as noted in the title: the far right is now in full insurrectionist mode, from talk to collective action, with an amplified eliminationist rhetoric and obsession with civil war. Neiwert examines this through the early days of the Trump presidency, through the COVID pandemic where the far right latched onto a willing anti-vax movement, through the January 6 insurrection that never really ended, but returned to the local level. But contrary to his previous volume, Neiwert does not offer solutions, except outorganizing this rising fascist movement.
Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of …
Another Winner from SM-G
5 stars
Silvia Moreno-Garcia provides another horror novel, also steeped into Mexican culture, in this case, the movie industry, mixed with occultism, and Nazis.
She also includes the usual plucky heroine leading the action.
She's an engaging writer.
I suspect this book was specifically written for sociology instructors in survey courses with a lot of topics to cover, largely undergraduates. The author goes through the usual intro to sociology topics: class, race, culture, sex, gender, race, deviance and uses examples from Reality TV / unscripted shows (1) to demonstrate that we are more reactionary than we think, and (2) to illustrate the concept of social construction.
For a book about unscripted TV, I was expected more examples and a deeper analysis of these shows. The examples are limited both in depth and numbers. So while the book is very readable, it spends more time on sociological concepts and theorists than on its subject matter.
He's found a way to end their war, but will humanity survive to see it? …
Not as good as I had hoped
4 stars
I have loved the first two volumes of this trilogy. But this one, for some reason, was a bit of a slog, imo. Also, I'm not smart enough to enjoy loose ends.
On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on …
Full title checks out
5 stars
The book delivers on its title. The author is the same guy who wrote Killers of the Flower Moon and he sure know how to write page-turners. Here, the basic story is about a squadron of British ships that, in 1740, were sent to chase after a Spanish galleon to steal its supposed load of silver. In order to do that, the squadron would have to round Cape Horn. A lot happens. Three different groups from the original crews make it back to England after about 6 years, some were shipwrecked, some carried out the mission, and two different groups of castaways ended back home through separate routes.
It is a rich narrative, and a darn good story.
Colonialism still sucks.
From a New York Times investigative reporter, this “authoritative and devastating account of the impacts …
The problem with social media platforms is social media platforms
5 stars
That is the main thesis of the book: that the algorithms deployed by giants like Facebook, Youtube, and Twitter do not just allow like-minded people to find each other but that they actively push people together into extremist bubbles through their recommendation engines, up to and including genocide (as in Myanmar and Sri Lanka). The book goes through what seems to be considered now the origin story of radicalization and harassment via social media: gamergate. Things got worse from there, all the way to the January 6th attempted coup.
The throughline is how social media platforms algorithmically push people towards extremism and outrage (which is more likely to be found on the right... see Irony and Outrage on this) because outrage keeps people glued to the platforms. The platforms want people on as much as possible, and if the way to get it is to destroy democracy, spread disinformation, destroy …
That is the main thesis of the book: that the algorithms deployed by giants like Facebook, Youtube, and Twitter do not just allow like-minded people to find each other but that they actively push people together into extremist bubbles through their recommendation engines, up to and including genocide (as in Myanmar and Sri Lanka). The book goes through what seems to be considered now the origin story of radicalization and harassment via social media: gamergate. Things got worse from there, all the way to the January 6th attempted coup.
The throughline is how social media platforms algorithmically push people towards extremism and outrage (which is more likely to be found on the right... see Irony and Outrage on this) because outrage keeps people glued to the platforms. The platforms want people on as much as possible, and if the way to get it is to destroy democracy, spread disinformation, destroy any chance at public health, and violence, then so be it.
Throughout the book, Fisher shows how the platform leaders knew the impact of their algorithm and did nothing, as one extremist event unfolded after another, rooted on the platforms, and yet they did nothing because the business model demands this.
So it is not simply extremists finding each other actively on social media, it is social media pushing not just extremists but regular people into extremists groups or channels for the sake attention and data.
It is deeply depressing and yet important.
And because the platforms have learned nothing (and rolled back some of the measures they reluctantly took in 2020), we can expect more as the 2024 US presidential election approaches.
All the more reasons to get off these platforms.