Flowers for Algernon (Bantam Classic)

English language

ISBN:
978-0-553-27450-9
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5 stars (6 reviews)

Until he was thirty-two, Charlie Gordon --gentle, amiable, oddly engaging-- had lived in a kind of mental twilight. He knew knowledge was important and had learned to read and write after a fashion, but he also knew he wasn't nearly as bright as most of the people around him. There was even a white mouse named Algernon who outpaced Charlie in some ways. But a remarkable operation had been performed on Algernon, and now he was a genius among mice. Suppose Charlie underwent a similar operation... ([source][1])

[1]: www.danielkeyesauthor.com/algernon.html

70 editions

Review of 'Flowers for Algernon' on 'GoodReads'

5 stars

Poignant, sad, and deeply insightful



I had been assigned a watered-down adaptation of this in Junior High, so I went into this with some knowledge of what the general arc would be. What I didn't expect is that I would be reading until the sun came up, bawling my eyes out, absolutely shaken.



From the very first page, I liked Charlie Gordon. He comes across as innocent and sweet, with good intentions and a very one-dimensional frame of reference to the world. There's a few moments where people ask Charlie things that made me chuckle, like his initial confusion at the Rorschach test, but his attitude is strangely endearing.



The prose in this book is phenomenal. The gradual narrative shift from crude writing to eloquent philosophical insight is kind of an amazing writing trick, and the development of Charlie's awareness is hypnotic to watch.



In a way, I was kind …

Review of 'Des fleurs pour algernon' on 'Goodreads'

5 stars

Ce roman nous raconte l’ascension et la chute de Charlie Gordon, cobaye consentant d’une expérience analogue à celle du film (celui avec Pierce Brosnan).
Pourtant, ce livre est bien plus touchant et émouvant que n’a pu l’être ce film. Pourquoi ? Peut-être grâce à la maîtrise dont fait preuve l’auteur, qui joue avec un talent incroyable de ce récit, entièrement raconté par Charlie (je ne vous répéterai pas encore une fois à quel point je trouve le récit à la première personne puissant, en tant que procédé stylistique). Et, ça n’est pas la moindre des forces de ce roman, l’auteur pousse le talent jusqu’à modifier considérablement son écriture en fonction du QI supposé du héros. D’abord hésitant, pauvre et bourré de fautes, l’écriture prend ensuite une assurance incroyable et un style très riche pour finir, comme il se doit, par régresser considérablement. Mais ce style n’est qu’un support, et une …

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