291 pages
English language
Published April 16, 2004
The Namesake (2003) is the debut novel by American author Jhumpa Lahiri. It was originally published in The New Yorker and was later expanded to a full-length novel. It explores many of the same emotional and cultural themes as Lahiri's Pulitzer Prize-winning short story collection Interpreter of Maladies. The novel moves between events in Calcutta, Boston, and New York City, and examines the nuances involved with being caught between two conflicting cultures with distinct religious, social, and ideological differences.
I enjoyed reading about this Bengali couple adjusting to life in late-20th century suburban United States. The details about day-to-day life and their family interactions are great. Less entertaining are their son’s Gogol’s misadventures among Gilmore Girls-ish northeastern Ivy Leaguers. But the book is very well written and has a perspective worth discovering.
Jhumpa Lahiri's touching novel about two generations of an Indian family and the cultural chasm between them has made the big screen...
This is the story of the Ganguli family. After Ashoke and Ashima wed in Calcutta, they emigrate to the United States, where Ashoke does his best to launch his carreer and adapt to his new country, and Ashima is left alone in their new home, where she feels profoundly homesick for her family and old life.
When their children are born, a new set of challenges arises: the customs of the American school system, raising children in a culture which is new to them, and accepting the paths their children decide to take with their lives. For their son and daughter, life also has challenges, especially for the older child, their son Gogol.
Besides the cultural challenges of pleasing his parents and fitting in with his friends, Gogol …
Jhumpa Lahiri's touching novel about two generations of an Indian family and the cultural chasm between them has made the big screen...
This is the story of the Ganguli family. After Ashoke and Ashima wed in Calcutta, they emigrate to the United States, where Ashoke does his best to launch his carreer and adapt to his new country, and Ashima is left alone in their new home, where she feels profoundly homesick for her family and old life.
When their children are born, a new set of challenges arises: the customs of the American school system, raising children in a culture which is new to them, and accepting the paths their children decide to take with their lives. For their son and daughter, life also has challenges, especially for the older child, their son Gogol.
Besides the cultural challenges of pleasing his parents and fitting in with his friends, Gogol hates his name--Gogol Ganguli. There is a very interesting story behind his name, which he does not discover until later. Meanwhile, as Gogol matures into an adult, he tries on different interpretations of his heritage, and finds no easy answers.
I went to see this movie with both of my parents, and found it very touching. My father, who has not read the book yet, liked it very much and was very effected by it. Mom and I both liked the movie, but felt that the significance behind Gogol's name should have been illuminated to the audience (as it had been for the readers) much earlier in the film. Also, there were times when the movie had to do a lot of skipping around, because of the timespan it had to cover.
Verdict: The movie is very good. As usual, the book is ever better.
(Jhumpa Lahiri won a Pultizer in 2003 for her collection of short stories, Interpreter of Maladies.)
