1979

The first in the Allie Burns series, 1979 was released in 2021 with the second, 1989 out in October 2022. It was the arrival of the second book that made me realise I hadn't read the the first - and then I realised I'm behind with the Karen Pirie novels (now a TV series into the bargain), and well, there are times when I worry that I'm not going to catch up with everything I want to read ever again.

But 1979, needless to say, is set in 1979, with journalist Allie Burns based in Glasgow and looking for the next big story that will make the boy's club at the paper she works for sit up and take notice. Back then, the sexism was overt, as was the harassment and the really bad behaviour, and Burns is struggling as a woman in the testosterone / booze soaked world of the newspaper news rounds. When colleague Danny Sullivan turns to her for help in crafting the story he's chasing - international tax fraud and terrorism, things get very serious, and very dangerous.

I'm old enough to have been "there" in 1979, although scarily it turns out I don't remember everything as well as I would have liked. Of course it's always possible that 1979 Glasgow was a very different place from 1979 Melbourne. As a country-girl gone to the big smoke, Melbourne was alive. The swinging sixties always seemed to have arrived in my world in the 70's. We hung out at gay clubs, we partied ... hard, we didn't take life at all seriously and we, well we did everything hard and fast. So, whilst some of the details of 1979 (the novel) rang bells, some of it didn't quite ring as true as I would have liked. It seemed more - buttoned up / hesitant / forced - than I remember.

Perhaps the sense of timeframe was also affected by what felt like a treacle slowness to the story. I really struggled to get into it for most of the novel, struggled to get a really good connection with Burns, and found myself empathising with Sullivan and the godawful situation of his family and his personal life, but only sometimes. Mind you, for something as glacially slow as most of this novel was, the ending arrived in a rush that felt like somebody had finally found the power cord for the blow-torch, melted the ice and decided to get this thing over the line come hell or high water.

Of course, as you'd expect from an author as good as Val McDermid, there are glimpses of potential here. Burns is obviously looking at that period of time from the viewpoint of McDermid's own experience. Maybe once the awfulness of the way women were treated in those days is done and dusted, and the investigative journalist starts to step to the forefront more, this will be a series that gets it's skates on. Even though there were times that 1979 was a bit of a slog for this reader, 1989 is on the "for goodness sake get to it" reading pile.

www.austcrimefiction.org/review/1979-val-mcdermid

4.5 rounded up.

Where to start... Well, first, don't read the damn blurb on Goodreads! It has a massive spoiler that doesn't happen until about 80% into the book. I had read the blurb on NetGalley when I requested the book and I'm glad I did. Let me paste it here for you so you don't have to go anywhere else. I'm still pissed about reading the spoiler.

"It's only January, and the year 1979 has already brought blizzards, strikes, power cuts, and political unrest. For journalist Allie Burns, however, someone else's bad news is the unmistakable sound of opportunity knocking, an opportunity to get away from the "women's stories" her editors at the Scottish daily The Clarion keep assigning her. Striking up an alliance with budding investigative journalist Danny Sullivan, Allie begins covering international tax fraud, then a group of Scottish ultranationalists aiming to cause mayhem ahead of a referendum on breaking away from the United Kingdom. Their stories quickly get attention and create enemies for the two young up-and-comers. As they get closer to the bleeding edge of breaking news, Allie and Danny may find their lives on the line.

The first novel in a brand-new series for McDermid, 1979 is redolent of the thundering presses, hammering typewriters, and wreaths of smoke of the Clarion newsroom. An atmospheric journey into the past with much to say about the present, it is the latest suspenseful, pitch-perfect addition to Val McDermid's crime pantheon."

Now that we have that out of the way, we can get to the actual review.

I've read a few books by McDermid and I think this is my favorite. I honestly can't wait to get my hands on the next in the Allie Burns series. She's my kind of heroine: smart, brave, and open minded. And she's just starting with her journalistic career so I know there will be plenty of great adventures in her future.

I listened to the audiobook and am not sorry at all because I LOVE a Scottish accent. Helen (Simone Lahbib) from Bad Girls got me hooked. I might have appreciated having both the audio and the ebook for this one because the Glaswegian accent was a bit tough to understand at times and I know I missed some words here and there.

The story and the writing were fantastic. I was drawn in immediately and loved Danny and Allie and wanted to kick brother Joseph in the nuts so many times it would have constituted a workout. Bastard. And because it was set in 1979, there's plenty of misogyny and homophobia and other shit you would expect.

Huge thanks to the publisher and NetGalley for hooking me up with the audiobook and an even bigger thanks to Ms. McDermid for writing such a great book and characters that felt incredibly real. I'll miss Allie and Danny. And Rona. Can't wait to see more of Rona.