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Elizabeth Kadetsky: On the island at the center of the center of the world (2015, Nouvella)

Heart of Darkness vibes

A white American woman reaches a dead end in her life situation, so she moves to Malta with her teenage son. There, Maltese people serve as a backdrop of inscrutable, amoral Others through whom she attempts to clarify her direction in life. The opening was promising ... Read this only because it's set in Malta.

Olga Ravn: The Employees (New Directions)

Shortlisted for the International Booker Prize, The Employees reshuffles a sci-fi voyage into a riotously …

The Employees

Intriguing speculative fiction in the form of a series of testimonies by workers on a ship -- some of whom are human and some of whom are androids. It also feels like a museum exhibition catalog if it were written by museum workers who haven't been told anything about the exhibition. In its relatively few pages, Ravn manages to limn the boundaries between subject/object, animacy/inanimacy, and sensation, emotion, and perception.

Muriel Spark: Territorial Rights (2014, Little, Brown Book Group Limited)

Territorial Rights

Read this because it's set in Venice and I'd never read Muriel Spark. It is a late Cold War satirical comedy of manners. Feels pretty dated and of niche interest.

Gwendolyn Brooks: Maud Martha (1992)

Maud Martha Brown is a little girl growing up on the South Side of 1940s …

Maud Martha

A perfect, sadly underread classic, like just about every mid-century novel by a US Black woman writer. All the semi-realized and failed promises of freedom in the postwar US as told in crisp prose through the aspirations and disappointments of one Black woman's life.