#writing

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Day 6: Share an important or fun lesson you've learned as a writer.

"Kill your darlings"

When in doubt, cut it. When revising, ask yourself what each scene accomplishes, and if you struggle with the answer, seriously consider deleting it. Some scenes need to be written to get a better understanding of the plot, but that doesn't mean they have to end up in your book.

Feb 7: What’s the most rewarding thing about ?

The smug feeling of satisfaction I get when I argue with AI bros on the internet who can't manage to tell the simplest story without a robot to do it for them.

Chapter 10 of Princess of Kurg is available to read on : https://www.royalroad.com/fiction/108234/jigsaw-city

Having seen her people grow fat and lazy, because their new home gives them anything they can imagine, Minvera reflects on the situation.

Deciding they need an enemy to fight, Minerva begins drawing small humanoids, naming them 'goblin', fully intending to make them real...

@bookstodon

I really, really can't wait to have more books out. Because of the stuff I'll later reveal that I'm having to sit on and nggggg I want to talk about it.

Reborn in Ash explores the HOW of magic, but my upcoming series will explain the WHY. Why can only some humans use magic? Why do you need gems to use magic? And the trilogy after that? I suppose that goes into the WHEN, because magic didn't always work this way.


What's the most rewarding thing about writing?

The writing. Creating, flow, ideas popping, conversations dropping into your head.

Everything else, the editing, the marketing, the lack of sales. All that sucks.

But the process of creating something is wonderful.

☼ 2026.02.07 — Talk To Me Day. Featured Creator Art of Goulwen R @art_of_goulwenr

I'm a big fan of your art; I may have mentioned that before. I didn't mention the other day in SAM when I could have that I am a fan of Stan Sakai's Usagi Yojimbo and Steve Gallaci's Albedo books. Both have great artwork and great characters, and say a lot about humanity despite being in the "funny animal" genre, but you mentioned yesterday that storytelling is most important to you. In that respect, what I've learned from Stan Sakai's work is compact storytelling. Most of what he writes is novelistic, it's short stories.

Why do you feel compelled to meld art and words? When I've commissioned cover art and bought interstitial images, I've worked to make it enhance the story. What does art bring to your story …

2026.02.06 — Share an important or fun lesson you’ve learned as a writer.

I've learned not to be ashamed of a good vocabulary. Word choice matters. Now, if I could only deploy those words while speaking with others that would be fabulous.

And, whilst this makes this reply a twofer, I'm also going to say that I've learned that I can orate. From a script. Extemporaneously? Not happening. Yes, I do: I read all my writing aloud. To ensure it sounds right. Making it sound dramatic makes revising my work a lot more fun, but confirms the validity of my writing style, which is consistent with live storytelling†. Not going to say bardic. My voice isn't that melodious. I shan't be publishing audio recordings any time soon!

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†Go ahead, read it out loud. I dare you.

[Author retains copyright (c)2026 R.S.]

Day 6. Our featured creator makes graphic novels. As a reader, which do you think is more important in a graphic novel, art or words?

They're both important! Art AND text work hand in hand to tell the story. If one doesn't grab the reader, the other will have to work harder to make up for it.

Day 6: Share an important or fun lesson you've learned as a writer.

Be discerning when you ask someone to read/beta read your drafts. Ask someone you trust that will give you constructive criticism and doesn't have their own axe to grind.

Píp the cat lay on a large, sunlit stone by a river, deep in the forests of Dimkarat. Another, translucent and glowing, Píp the cat stood on the same large, sunlit stone and looked at herself in disbelief.

«This is so weird.» She rounded herself a couple of times. «Am I... dead?» She bowed down and listened to her body breathing. «Apparently not.»

Ból, the tree spirit, flowed out of the young tree next to the stone: a nexus of amber light with enormous roots, sinking into the mossy ground, and gigantic branches full of leaves, stretching far over the sunlit canopy of the forest.

«This is even weirder.» Píp stared at him with big eyes.

It is? Ból laughed, and colorful streaks swirled through the nexus and up its branches.

Píp looked back at her sleeping body. «Do you have a body somewhere?»