The Man Who Was Thursday

A very strange tale that turns from a crime story to a farce to an expressionist play to a Christian-philosophical treatise. It somehow manages to stay perfectly coherent throughout, with the unbelievable end scene a quite logical last step in a sequence of ever more outrageous scenes. Still, it leaves a somewhat sad feeling to see the fun and whimsy of the first half be pushed aside by the more serious and self-important realisations of the second, and the final impression is of a lecture received after setting out for a light distraction.