The Message

Audiobook

English language

Published Oct. 1, 2024 by Books on Tape.

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees …

6 editions

Perfect Revisionism

An academic friend of mine once said that only the best writers admit they were wrong and revise their past work. This book is, at its heart, a revision and an awakening in a writer who was already a wonderful and careful essayist. Ta-Nehisi Coates has beautiful prose, giving voice to Black and other marginalised people, influenced by his own US (Baltimore) lived perspective. His writing plays with ideas, a type of artistic journalism that unravels myth and connects disparate parts.

The Message comes in three sections: First, a visit to Dakar in Senegal, where he unpacks some of his ancestral baggage. Second, a trip to South Carolina where he tries to help a schoolteacher stop a ban on his and other Black authors' books. And third, a trip to Palestine, where he witnesses the apartheid system there and then revises his essay over a decade old, 'The Case …

reviewed The Message by Ta-Nehisi Coates

Good, but somehow not what I expected

I came here off the back of that CBS interview, but was surprised to see how the book went. It's really three quite separate essays, held together by a common theme of the stories we tell ourselves, and how important writing and story telling are. The third essay has obviously attracted the most attention and, while it's definitely thought-provoking, I think it really suffers from being too short -- perhaps it should have been a book on its own? One of the principal points of the essay is that we really need more Palestinian voices in the media. The stories we're told matter as they construct our reality.

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