The Three-Body Problem

I'm not thoroughly familiar with science fiction as a genre, but I'd imagine this is pretty quintessential hard science fiction. That means that quite a lot of text throughout the novel is devoted to explaining the scientific realities behind the events of the narrative. For example, entire chapters are devoted more or less to detailing the physical minutiae of how messages might be transmitted between Earth and alien civilizations.

In the case of this novel, hard science fiction also means substantially less attention is given to the development of characters and the drama between them. Indeed, I found the book somewhat reminiscent of my experience with Isaac Asimov, where all the important characters are STEM academics and the only interesting thing they could imagine talking about is science in one form or another. So don't expect a very compelling drama from this novel or particularly deep or complex characters. With maybe one exception (the character Ye Wenjie) the stakes of this narrative are all practical, not emotional or relational.

But there is (in my mind) a very clever plot in here. The author does a great job of leveraging a variety of concepts and technologies from various STEM disciplines as plot points and narrative developments, both breakthroughs and setbacks for the protagonists. There's also a fascinating layer of 20th century Chinese history that overlays and informs the narrative. But this is neither a thriller nor a romance, so don't expect some pulse-pounding climax at the book's end that will leave you breathless.

I have a degree in a STEM field (computer science) so I may be biased in this assessment, but I thought the book was pretty readable insofar as the science is presented and detailed. But detractors are not wrong to call the writing in general both dry and wooden. I can't tell if it's a authentic reflection of the original author's personal style or perhaps indicative of Chinese prose generally, but in either case this book's writing is far from poetic.

Bottom line, if people are uncertain that they'll be able to get through this book, the only advice I can offer is this: if & when you find yourself struggling to get through a heavy passage detailing scientific minutiae, not only is the novel not going to "get better" from there, but passages such as those are themselves a great part of why this book's fans love it so much. So pull that ripcord early if you find yourself struggling to enjoy yourself; you'll know if this novel is for you pretty quickly. Even those who do enjoy it might be tempted to line up a romance or other drama-rich novel as a chaser.

I was surprised to read a Chinese sci-fi novel, but it's an interesting perspective on it. At first I thought this is going to be all about China, being for or against the CCP regime and a bit of sci-fi sprinkled on it, but it was the opposite!

The parts that were leaning on it being in China were great, it's a different view on how to write sci-fi, which is usually VERY centered on the US. I hope for more non-US authors in the sci-fi world, there's a lot to explore here.

The ending surprised me, because I read through it much faster than I thought. This should be a good thing, but I only noticed how far in I was, because I couldn't believe that this is how it's gonna end. It was a bit disappointing, but it's a trilogy, so and it felt very much written in such a way to build upon.

I'm not sure if I will read the rest, but I'd say it's okay. I'm not sure why people are into this story so much, it read a bit wooden at times, but that could be owing to it being a translation. Maybe people are just eager to read something non-US, which I totally get.

Empecé con muchas ganas este ganador del Premio Hugo de 2015. Ciencia ficción "hard", de una cultura un tanto exótica para mí como la china, y con aplauso unánime de la crítica, prometía mucho. Y no es que sea una mala lectura ni mucho menos, pero me ha acabado decepcionando bastante.

Se dice que el autor está muy influido por Asimov, Clarke y similares, y la verdad es que sí: la trama contiene muchos elementos que podían haber sido originales en los años 60, pero que desde luego hoy en día no lo son, al menos en Occidente. El personaje principal es bastante plano; los secundarios, que tenían mimbres para ser interesantes, acaban resultando estereotípicos; el hecho de que la novela acabe en un "continuará" (es el primer libro de una trilogía) no ayuda tampoco a la redondez de la trama.

En otros aspectos donde se ven influencias de otros autores, los extraterrestres, lejanos y enigmáticos pero a la vez muy humanos, me recuerdan poderosamente a los de Los Propios Dioses; el juego de realidad virtual no puede menos de sonarnos a Ender... Pero todo ello con menos fuerza que las referencias originales.

Curiosamente, donde me parece que el libro se vuelve más vivo y brillante es en sus regresiones sobre China, la Revolución Cultural y su evolución posterior. Quizás es simplemente por mi desconocimiento sobre el tema, pero los capítulos centrados en ese tema se me hicieron mucho más interesantes.

El libro se lee bien, entretiene y es de lectura ágil, pero esperaba algo más. No sé si continuaré con los otros dos libros de la trilogía, tocará pensarlo.

Cixin Liu is a different voice in sci-fi - for someone brought up on western stories, Liu's story structure and background are odd, which makes it very refreshing to read. I had one minor problem with believability in the book, but otherwise I'm looking forward to reading the English translation of the next two books.

The tale is a sweeping one, filled with good sci-fi ideas and nothing less than the fate of humanity at stake. Like John Wright's Count to the Eschaton series, the fate of humanity rests in the hands of a few who know what's going on. Unlike anything else I've read, this book faces that challenge with the background of the Chinese Cultural Revolution driving the protagonists actions, and - here's where the refreshing part comes in - coloring the thoughts of alien minds as well.

If you've ever read the Night Watch books by Lukyanenko, or anything by Stanislaw Lem, after having been brought up on a steady diet of Asimov, Herbert, Clarke, and Niven, you'll understand the subtle and refreshing shift of perspective Liu's background brings. Really looking forward to the last book being translated, so I can take the rest of the series in at one go.